294 Best Framer Agency Website Examples
Agency sites have to prove they can do the work, which means the homepage itself is the audition. Dark backgrounds dominate the best Framer agency websites, with almost-black screens far more common here than in any other category I ran through Claude. That dark canvas is where the design effort should go. The sites below all use it to make portfolio work and client logos pop without competing for attention. Framer design agency sites lean into this even harder.
Category
Platform
Style
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This design agency site pairs minimalist black layouts with hyper-saturated classical and sci-fi artwork, contrasting "Crafting design with love" against vibrant baroque statues and neon observatory scenes.
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This branding consulting site uses cosmic nebula photography as hero backdrop and right-aligned service tags instead of traditional navigation menus.
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This branding agency site positions itself as "disruptive" by highlighting keywords—"design," "Perception," "growth"—with decorative teal underlines in the mission statement.
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This design studio site stacks its value proposition—strategy, branding, digital products—as three equal columns with moody photography and category labels.
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This UX designer portfolio embeds her photo into a tropical composite hero and layers contextual badges—"From Costa Rica," "AI Designer"—as playful floating elements.
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This UX/UI designer portfolio uses overlapping avatar social proof and "Framer Expert ⚡" badge to establish credibility before the pitch.
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This digital marketing agency site opens with "FINALLY, SOMEONE IS BUILDING BETTER MARKETING WEBSITES!" in all-caps serif, then pivots to a handwritten letter from the MD on notebook-ruled paper.
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This design subscription site uses italic serif typography for key words ("design," "at your doorstep") and charts testimonial quotes directly onto the hero image.
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This design agency site uses hot pink fluid textures in the hero and tilts portfolio images at angles with pink accent bars.
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This AI film production agency leads with "$100K Agency Output. Delivered in Days." and gates entry behind "See If You Qualify."
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This digital design studio site uses a glitchy underline on "Digital" and stacks four massive stat numbers with single-sentence outcomes.
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This 3D design agency site uses outlined display letters for "DESIGN" with a chrome-reflective stroke effect to anchor the hero.
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This Gen Z agency site uses a surreal gradient background with teal-highlighted text and asymmetric photo grids to visualize non-linear purchasing journeys.
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This construction lead subscription site sells early-stage project access with "Fresh Projects. Weekly. *Yours First.*" in large serif italics.
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This branding agency site mixes serif, script, and sans-serif fonts within single headlines to create typographic friction that mirrors its "move fast, design sharp" positioning.
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This growth consulting site pairs "Your Growth, Unstuck" with strikethrough text and positions itself against hustle culture with "Businesses Who Give a Damn."
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This freelance designer portfolio uses a mystical forest illustration hero with "that" in handwritten script and a sticker-badge tagline: "From napkin sketch to Series A polish."
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This digital design agency portfolio arranges work in a 2-column grid with project screenshots set against dramatic dark backgrounds and blue cinematic lighting.
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This creative agency site wraps its value proposition in floating label tags ("Timeless," "Creative," "Edgy") and a sunburst of concentric pink rings animating around rotating service copy.
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This design subscription site splits its H1 into contrasting typefaces—bold sans "We make," paired with italic serif "you scale"—to emphasize the value exchange.
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Dot labs
This design agency site opens with a dramatic close-up portrait under red lighting and leads with "We're not here to decorate screens, we're here to craft thoughtful design that solves problems."
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This PR consultancy site uses a split-column hero with stat cards overlaid on client photos and a scrolling marquee listing service categories.
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This branding studio site uses a massive typographic headline—"OUR HEADS ARE ROUND SO OUR THOUGHTS CAN CHANGE DIRECTION"—with rotated sidebar category labels and chartreuse accents.
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This creative agency site headlines "WE BLEND STYLE AND STRATEGY LIKE A BOSS" and showcases work through phone mockup cards displaying campaign imagery.
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This freelance developer portfolio uses a full-width marquee with "YOUR PARTNER FOR · MOBILE DEVELOPMENT" repeating in 60px heavy sans-serif below the hero.
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This B2B marketing consultant site uses a halftone dot illustration as its hero graphic and positions the tagline "Avoid Average" as its core positioning statement.
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This branding agency site opens with a repeating "HUMAIN" marquee and positions strategy work through serif typography and paired portrait photography.
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This web design agency site opens with a 4.9-star rating and positions three benefit badges ("Higher ROI", "Premium Look", "Risk-Free") before the main CTA.
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This portfolio site layers a cyan sky gradient with realistic clouds and a black-and-white portrait cutout to introduce "PATRICK Beeable," a startup marketer positioning himself between dreamy editorial aesthetics and concrete startup credentials.
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This product designer portfolio uses the headline "Design so good, **it should come with a warning label**" and scatters floating UI mockups asymmetrically across the hero.
Design Data
The colors, fonts, and layout choices used across 240 Framer agency websites.
Background color
How dark or light the page background is (background luminance).
- White / near white 47.1% (113)
- Black / near black 37.5% (90)
- Dark 8.8% (21)
- Light 4.6% (11)
- Mid-tone 2.1% (5)
Accent color
The color of each site's primary button, measured from its code (accent hue family).
- Black, white & gray 30.6% (67)
- Amber / orange 15.5% (34)
- Blue 15.1% (33)
- Red 10.5% (23)
- Green 9.1% (20)
- Purple 6.4% (14)
- Lime 5.9% (13)
- Pink 3.7% (8)
- Teal / cyan 3.2% (7)
Hero layout
How the top section arranges its headline and imagery.
- Text above full-width media 33.9% (64)
- Centered text 30.7% (58)
- Asymmetric 12.7% (24)
- Text over a full-width image 12.2% (23)
- Text left, image right 10.6% (20)
Hero imagery
The kind of visual the top section leads with.
- No imagery 24.5% (58)
- Illustration 22.8% (54)
- Photography 22.4% (53)
- Product screenshot 18.1% (43)
- 3D artwork 10.5% (25)
Button shape
Corner rounding on primary buttons (border radius relative to height).
- Pill (fully rounded) 62.8% (27)
- Rounded corners 27.9% (12)
- Square corners 9.3% (4)
Font combination
How heading and body typefaces pair (serif vs. sans-serif).
- All sans-serif 84.6% (55)
- Serif headings, sans-serif body 15.4% (10)
Color intensity
How colorful the palette is, from black-and-white to bold color (saturation).
- Black & white 47.1% (113)
- Soft, muted color 43.3% (104)
- Bold, vivid color 9.6% (23)
Dark mode support
Sites whose code adapts to the visitor's light/dark preference (prefers-color-scheme).
- Yes 14.1% (12)
- No 85.9% (73)
Most-used fonts
The typeface each site leads with, read from its live CSS.
- Inter 13.8% (9)
- Satoshi 7.7% (5)
- Manrope 6.2% (4)
- Poppins 4.6% (3)
- Inter Tight 4.6% (3)
Percentages are the share of sites where each trait could be measured, with counts in parentheses. Last updated August 2026.
Best Framer agency website examples skip photography for illustration and 3D
Photography shows up in just 22.4% of heroes across this page, against 64.1% for the gallery at large. That is a near-total reversal of the default. Agencies building on Framer favor illustration (22.8%) and product mockups (18.1%) instead, using invented scenes and screenshots rather than stock or shot photography to carry the hero. Jigsaw
and Emete
both lean on illustrated heroes, while Watt
and Gecko
use product-screenshot treatments instead of a photo. The pattern makes sense for agencies: a photo implies a specific product or team, while an illustration or mockup can stand in for any client work, which matters when the same template gets reused across a design agency’s portfolio and a marketing agency’s case studies. Anyone browsing Framer Design Agency Websites or Framer Marketing Agency Websites will see this substitution repeated site after site.
Near-black backgrounds outnumber the gallery norm by more than double
37.5% of these sites sit on a near-black background, compared with 18.1% across the full gallery, second only to near-white at 47.1%. Agency sites treat dark mode as a default aesthetic rather than a toggle, even though only 14.1% of measured sites actually support a light/dark switch. Dimension Studios
, AKES
, Jack Studios
, and Watt
all commit to near-black canvases, and most pair them with black-and-white palettes rather than saturated color, letting a single amber or pink button (as on Watt
and AKES
) carry all the contrast. The lesson for a builder: pick one polarity and commit, since mid-tone or light-dark backgrounds barely register at 2.1% and 4.6%.
Centered heroes appear more than twice as often as elsewhere
Centered hero layouts account for 30.7% of this page against 13% gallery-wide, putting it nearly level with the leading stacked-copy-top arrangement at 33.9%. Agencies favor a single centered headline and CTA over split or asymmetric compositions, likely because it reads clean on both an illustrated and a text-only hero alike. AKES
runs a text-only centered hero, and AAOA
pairs a centered product screenshot with a pill CTA. Split copy-left layouts, by contrast, appear in only 10.6% of cases, making the classic two-column marketing-site hero a minority choice here.
Pill buttons and Inter dominate the interface layer
Pill-shaped CTAs take 62.8% of the measured buttons, more than double rounded at 27.9%, and square trails at 9.3%. Typography follows a similar concentration: sans+sans pairing covers 84.6% of font choices, with Inter itself the single most common typeface at 13.8%. Clicks Supply
, Jigsaw
, and Tapestry AI
all use Inter with pill or rounded buttons, echoing the utilitarian, software-adjacent feel that also shows up across Framer Software Development Websites. Serif headings stay rare at 9.2%, making outliers like Jesse Showalter
and Twenty
genuinely distinctive rather than representative.